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Wednesday, October 7, 2026
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Game Review: Sleaford Mods' Jason Williamson Assumes Role in Critical Look at 90s Rave Culture

The work of Portishead co-founder Geoff Barrow, this scabrous though undernourished debut feature casts a critical gaze on 90s rave culture. Venal pillhead David (the actor) first robs an unconscious dealer, then in a later recollection tries to break into his own parents. In no time, he's overturned in the remains of his car in a woodland – and subject to the wrathful eye of the Poacher (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with impatience toward townies, he is a fractured society personified: “You’re one of those loud individuals from up on the heath.”

Unsteady Opening and Grimly Amusing Confrontation

The film begins uncertainly, spending too long on pedantically chronicling David’s attempt to extricate himself from his seatbelt, while clumsily segueing into past scenes of his normal activities. The central theme – that the rave-era youth were mainly focused on themselves – is firmly made. But these brief episodes are insufficiently developed to adequately prepare us for what to expect when the Woodsman arrives, fuming after David kills his dog. Still, a grimly amusing duel unfolds – David eager to get away; the Woodsman denying his container of scrumpy, determined to dousing him instead in resentful talk. Williamson, exuding heavy threat in the role, is evocative of Michael Smiley.

Stylish Imagery and Music Video Vibe

Just a single key story turn, but it leads to a hilariously staged rampage on the woodland paths that veers toward rural terror. Filmmaker John Minton finally gets to go all in with his ostentatious visuals: where he was focused intently doing artful shots of bugs in headlights in the opening part, he now goes all out with the full psychedelic 21-gun salute, accompanied by a wild organ version of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into successfully graduating from the Brit music promo scene.

The film is in UK and Irish theaters from 17 November.

Written by

Michael Rodriguez

A tech enthusiast and relationship coach, Elara writes about the intersection of digital innovation and human connections.

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